 |
Composers Bureau
H. Owen Reed
Orchestral Works
- Evangeline (1938) - 15', H. O. Reed Music
- Symphony No.1 (1939) - 20', G.
Schirmer
- Overture (1940) - 6', G.
Schirmer. Also available from the Fleisher
Collection, Philadelphia, PA
- Concerto for Cello and Orchestra (1949) - 19', H. O.
Reed Music
- Overture for Strings (1961) - 8-10', H. O. Reed Music
- The Turning Mind (1968) - 10', Warner
Brothers
- Ut Re Mi (1979) - a variation on the hymn to St. John
the Baptist, "Ut queant laxis", for orchestra and taped or live
men's voices, 8', H. O. Reed Music
- La Fiesta Mexicana (1996) - 20', Warner
Brothers
- Christmas Eve (2001) - 8', a Big Band plus orchestral
strings arrangement with male and female vocalists of a Christmas
song by H. Owen Reed & Johnny Kidd. Dramatic possibilities!
H. O. Reed Music
- Song of Acapulco (2001) - 8', a Big Band arrangement with optional male vocalist of a song by H. Owen Reed and Johnny Kidd. String parts are available for a performance with symphony orchestra and large jazz ensemble. 8'.
Band Works
- Spiritual (1947) - 5', H. O. Reed Music
- La Fiesta Mexicana (1949) - 20', Warner
Brothers
- Missouri Shindig (1951) - 6', Ballerbach
Music
- Theme and Variations (1954) - from the Beethoven String
Quartet in A Major, op.18, no.5, 8'30", Ballerbach
Music
- Renascence (1959) - 10', Ballerbach
Music
- Che-Ba-Kun-Ah (1959) - "Road of Souls", for wind ensemble
and string quartet, designed for choreography. 7', G.
Schirmer
- The Touch of the Earth (1971) - for concert band, chorus
and soloist (or band alone), 26', H. O. Reed Music
- For the Unfortunate (1971)
- for concert band and taped (or live) choir, 13', Neil
A. Kjos
- Ut Re Mi (1980) - a variation on the hymn to St. John
the Baptist, "Ut queant laxis", for wind ensemble and taped or
live men's voices, 10', Ballerbach
Music
- The Awakening of the Ents (1985) - for winds and percussion,
8', Ludwig
- La Fiesta Mexicana (1986) - arranged for marching band
by Jim Prime and Fred Magro (Perc.), 2'28", Warner
Brothers
- Of Lothlorien (1987) - for winds and percussion, 9',
Ballerbach Music
- The Heart of the Morn (1987) - formerly "Michigan Morn"
for band or band and voices, from the opera Peter Homans Dream
and the suite The Touch of the Earth, 4', H. O. Reed Music
Big Band/Jazz Works
- Christmas Eve (2001) - 8', a Big Band arrangement with
male and female vocalists of a Christmas song by H. Owen Reed
& Johnny Kidd. Also available with orchestral strings for
symphony orchestra, H. O. Reed Music
- The Song of Acapulco (2001) 8', a Big Band arrangement with optional male vocalist of a song by H. Owen Reed and Johnny Kidd. Also available with orchestral strings for symphony orchestra.
Chamber Works
- Piano Sonata (1934) - 9', H. O. Reed Music
- String Quartet (1937) - 15', H. O. Reed Music
- Scherzo for Clarinet and Piano (1947) - 6', H. O. Reed Music
- Three Nationalities (1947) - for piano, 4', H. O. Reed Music
- Wondrous Love (1948) - for tenor and woodwind quintet, 6', H. O. Reed Music
- A Psalm of Praise (1939) - for soprano, 2 flutes, oboe,
2 clarinets, bassoon and horn, 3', H. O. Reed Music
- The Passing of John Blackfeather (1945) - for low voice
and piano. Lyrics by Merrick F. McCarthy, M.D., 4', H. O. Reed
Music
- Dusk (1947) - for low voice and piano, Lyrics by Tom
Boggs, 3', H. O. Reed Music
- Mountain Meditation (1948) - for low voice and piano, lyrics by Marion Cuthbertson. 2'30", H. O. Reed Music
- Nocturne (1953) - for piano, 2'30", H. O. Reed Music
- The Song Of Acapulco (1954) - a big band arrangement with optional male vocalist of a song by H. Owen Reed and Johnny Kidd. String parts are available for a performance with symphony orchestra and large jazz ensemble, 8', H. O. Reed Music
- Symphonic Dance (1954) - for piano and woodwind quintet,
4', EMI (Schirmer)
- Christmas Eve (1954) - for voice and piano (with John
W. Kidd), 2', H. O. Reed Musics (1992)
- Michigan Morn (1955) - for voice and piano, from the
opera Peter Homans Dream, 3'30", H. O. Reed Music
- The Ox-Driving Song (1955) - for voice, 2'30", H. O.
Reed Music
- El Muchacho (1962) - for piano, 2', H. O. Reed Music
- El Muchacho (1965) - for 7 handbells and 3 percussion,
2'20", H. O. Reed Music
- El Muchacho (1965) - for flute, clarinet & piano, 2', H. O. Reed Music
- El Son de la Negra (Trad.) (1975) - for piano, 2'30", H. O. Reed
Music
- Give The Fiddler A Dream (Trad.) (1976) - for solo fiddle, 1', H. O. Reed Music
- Fanfare for Remembrance (1986) - for 6 trumpets, flugelhorn,
percussionist and narrator, 11', Triplo
Press
Choral Works
- A Psalm of Praise (1939) - for a cappella choir, 3'30",
H. O. Reed Music
- Two Tongue Twisters (1950) - for mixed voices, 2'30",
H. O. Reed Music
- Michigan Morn (1955) - from the opera Peter Homans
Dream, for mixed voices. Available with accompaniment of one
harp, two harps, piano, orchestra or band. 4', Warner
Brothers (out of print)
- Close Beside The Winding Cedar (1957) Michigan State University 4' Arr. by H. Owen Reed
- The Ox-Driving Song (1955) - for mixed voices or men's
voices, with accompaniment of banjo, string bass, B-flat clarinet,
bass clarinet or piano, 2'30", H. O. Reed Music
- Ripley Ferry (1958) - for women's voices and wind septet,
Text by Merrick F. McCarthy, M.D. 8'30", EMI (Schirmer)
- Proud Chieftains and Okemos Fight Song (1958)
- published in Music for the School Chorus, by Niblock
& Hutcheson, 2', Allyn & Bacon
- A Tabernacle for the Sun (1963) - an oratorio for a lyrical
chorus of mixed voices, a speaking chorus of men's voices, contralto
and orchestra. Libretto by Merrick F. McCarthy, M.D., 18', G.
Schirmer
- Lord God of Sea (1963) - a hymn from A Tabernacle
for the Sun, for mixed chorus. Text by Merrick F. McCarthy,
M.D., 2', EMI (Schirmer)
- Rejoice! Rejoice! (1977) - for chorus, taped chorus,
soloist, vibe (orch. bells), and double bass, 8-10', H. O. Reed
Music
Stage Works
- The Masque of the Red Death (1936) - a ballet-pantomime,
20', H. O. Reed Music.
- La Fiesta Mexicana (1949) - a symphonic work for wind ensemble or full symphony orchestra, based on Mexican folk music. May be performed with dance group, choreography. Warner Brothers.
- Michigan Dream (1955) - aka Peter Homans Dream, revised
1959, book and libretto by John Jennings. 2 hours, Warner
Brothers (rental)
- Che-Ba-Kun-Ah ("Road of Souls"), for wind ensemble and string quartet. Staging & choreography by Forrest W. Coggan. G. Schirmer (rental), 7'.
- Earth Trapped (1960) - an Indian spirit legend on a story
by Hartley Alexander, a chamber dance-opera for contralto, fifteen
instruments, and two dancers. 18', G.
Schirmer
- Living Solid Face (1974) - a chamber dance-opera on a
story by Hartley Alexander, libretto by Forrest W. Coggan, for
a chamber orchestra of eighteen, narrator, two small men's choirs,
two solo dancers, and dance chorus. 27', H. O. Reed Music.
- Butterfly Girl and Mirage Boy (1980) - a chamber opera
based on an Indian spirit legend by Hartley Alexander, libretto
by Forrest W. Coggan, for soprano, contralto, Rhodes electric
piano, three percussion, three dances and alto flute. 24', H.
O. Reed Music
Page 1 | Page 2 | Page 3 | Page 4 | Page 5 | Page 6
|
 |
