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Composers BureauMarvin LambBiography
Lamb's vocal, chamber and electronic music is published by Carl Fischer, Crucible Arts Magazine, Dom Publications, Media Press, Medici Press, Shawnee Press, TRN Publishers, Wimbledon Music, Inc., the American Printing House for the Blind, and included in the Fleisher Collection of the Free Library of Philadelphia. His recorded music is represented on The Saxophone Alone by concert artist Neal Ramsay, on Music From the Meadows (Redwood Records, Inc.), The University of New Mexico Brass Quintet (Crystal CD), and on Heavy Metal (Mark Records, Inc.). Additionally, his articles concerning Arts Education Policy, New Music, and New Music Ensembles have appeared in Music Now, the NCMTA Music Teacher, the Guilford Review. Chamber Music Quarterly Corona, the Music Educators Journal, NASM Proceedings, and Design for Arts in Education. He has served as an arts consultant and in a leadership capacity for educational organizations at the state, regional and national level including music advisory panel membership on the Southern Arts Federation, Meet the Composer/Southeast, the Tennessee Arts Commission and as chair of the Texas Commission on the Arts music panel. He is a member of the Southern Association of Colleges and Schools College Consulting Network, a senior evaluator for the National Association of Schools of Music, and has served as president for the Texas Association of Music Schools. Dr. Lamb is a member of A.S.C.A.P., Pi Kappa Lambda, Phi Mu Alpha Sinfonia, and the American Music Center. He presently holds the position of Dean of the College of Fine Arts and Professor of Music at the University of Oklahoma, Norman, Oklahoma. Compositions
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Marvin Lamb (born 1946) received his Bachelor of Music and Master
of Music degrees in theory and composition from Sam Houston State
University and the University of North Texas. He holds the Doctor
of Musical Arts degree in music composition and performance from the
University of Illinois at Urbana/Champaign. He has studied composition
with John Butler, William P. Latham and Paul Zonn and electronic music
and computer techniques with Herbert Brun and John Melby. Lamb's compositions
have been performed widely in Europe (England, Germany, Austria, Hungary,
Italy, France, Denmark and Finland); in Japan, Mexico, Argentina and
Canada; in New York (Lincoln Center for the Performing Arts, Cubiculo
Theater, Brooklyn Museum, Weill Recital Hall at Carnegie Hall, Merkin
Hall); the 1972 World Saxophone Congress; the International Brass
Congress; the 1990 Lieksa World Brass Days; the 1984 National Band
Association Convention; Electronic Music Plus Festivals; and numerous
major American universities and conservatories. He has received commissions
from the Dallas Symphony Orchestra, the Knoxville Symphony Orchestra
and the New York Chamber Orchestra. His music has been performed by
the Dallas Symphony Orchestra, Atlanta Symphony Orchestra, Syracuse
Symphony Orchestra, St. Louis Symphony Orchestra Dimensions Series,
New York Chamber Orchestra, Knoxville (Tennessee), Haddonfield (New
Jersey) and Winston-Salem (North Carolina) Symphonies, the U.S. Army
Band, the Nashville Contemporary Brass Quintet, the Saturday Brass
Quintet and has been featured on P.B.S broadcasts in New York, North
Carolina, Pennsylvania, Tennessee and Texas. He was recipient from
1977-1994 of award grants and fellowships from the A.S.C.A.P. Standard
Awards Panel, Mellon Foundation, Meet the Composer, Inc., the Texas
Composers Forum, the Tennessee Arts Commission, the National Science
Foundation, and has twice received composition fellowships to the
Charles Ives Center for American Music.