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Annual American Composers Update

Jan Bach

Jan Bach, now in his 32nd year of teaching composition and theory, holds the position of Distinguished Research Professor at the Northern Illinois Univ. School of Music, in DeKalb. On Aug. 1-3, 1997, he was one of seven guest composers invited to the Harmony Ridge Brass Festival in East Poultney, VT. He is working with his former composition teacher, Robert Kelly, to get the latter's autobiographical and analytical book, The Evolution of an American Composer, into print next year. He has completed a commission, Pilgrimage, for Ramon Parcells, trumpet and Mari-Paul Parcells, piano.

Premieres

On Oct. 12, 1997, Variations on a Theme of Brahms, commissioned by the Elmhurst (IL) Symphony, Stephen Alltop, conductor, was premiered by the orchestra. Concertino for Bassoon and String Orchestra is scheduled to receive its first performance in March 1998, with Victor Benedict and the North Carolina Symphony, under Gerhardt Zimmermann, in Chapel Hill.

Performances

Concerto for Steelpan and Orchestra was played by Liam Teague and the Sinfonia da Camera, under Ian Hobson, at the Krannert Center, Urbana, IL, Mar. 14, 1997. In March 1997 Mark Fisher, euphonium, and Mark Lawson, piano, toured colleges and universities from the University of Iowa to the Eastman School of Music with Concert Variations. Stephen Larson led the Rockford Symphony in Gala Fanfare, Apr. 26, 1997. In 1997 Mary Stopler, flute; Elizabeth Cifani, harp; and Terry VanderBerg, viola performed Eisteddfod at Lockport, IL (Apr. 13); at Northwestern University, Evanston, IL (Apr. 26); and at the National Flute Association Convention, Chicago, IL (Aug. 16). The King William Woodwind Quintet presented Skizzen in San Antonio, TX, June 7, 1997.

Publications

Three Shakespearean Songs, SATB a cappella; Stars of Promise Publishing Co.

Recordings

Fanfare and Fugue, for five trumpets; Adolph Herseth, Anthony Plog, Otto Sauter, Bo Nilsson, Urban Agnas; Doyen Recordings, Ltd. Contrasts for Trumpets DOY CD 009.

Further Information

For more complete information, see Jan Bach's entry in our Composers Bureau Online.
   
Last Updated 12/31/02
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